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untitled (illustration for "El Vy El Dos")
untitled (illustration for "El Vy El Dos")

untitled (illustration for "El Vy El Dos")

Artist
Date1929
ClassificationsDrawing
Mediumpencil ink wash
DimensionsObject: 11 1/2 × 16 in. (29.2 × 40.6 cm) Sheet: 11 1/2 × 16 in. (29.2 × 40.6 cm)
Keyword/Subject
Object number1989.025
untitled (illustration for "Bugles in the Night")
untitled (illustration for "Bugles in the Night")
Frederic Rodrigo Gruger
c 1939
untitled (illustration for "The House of Darkness")
untitled (illustration for "The House of Darkness")
Frederic Rodrigo Gruger
1931
untitled (illustration for "Fiddle Backs")
untitled (illustration for "Fiddle Backs")
Frederic Rodrigo Gruger
1926
Woman Playing Piano
Woman Playing Piano
Frederic Rodrigo Gruger
c 1930
El Rio Grande 2
El Rio Grande 2
Frederic Whitaker
20th century
14. Me pasié con dos actrices:/ Cuando me vieron sin “blanca”,/ Una me dijo:- ¡Naranjas!/ La otra me dijo:- ¡Narices!
14. Me pasié con dos actrices:/ Cuando me vieron sin “blanca”,/ Una me dijo:- ¡Naranjas!/ La otra me dijo:- ¡Narices!
José Guadalupe Posada
1947
Etude de Femme, vue de dos
Etude de Femme, vue de dos
Eugène Delacroix
circa 1830
Immigration from Mexico to the USA: all people who come from Mexico and do not yet have a health pass must first of all go to the sanitary control waiting room. Hundreds of people are waiting there every day - on some days their number is in the thousands - for medical check-ups. Those who come to USA for a short visit as tourists are quickly cleared, while seasonal workers and immigrants, on the other hand, often have to spend a whole day here and subject themselves to strict tests. Children's health is also strictly examined. Off camera two men, who are experts from the Ministry of Health of Cambodia, are studying the methods of quarantine in El Paso, Texas
Immigration from Mexico to the USA: all people who come from Mexico and do not yet have a health pass must first of all go to the sanitary control waiting room. Hundreds of people are waiting there every day - on some days their number is in the thousands - for medical check-ups. Those who come to USA for a short visit as tourists are quickly cleared, while seasonal workers and immigrants, on the other hand, often have to spend a whole day here and subject themselves to strict tests. Children's health is also strictly examined. Off camera two men, who are experts from the Ministry of Health of Cambodia, are studying the methods of quarantine in El Paso, Texas
Paul Almásy
1961
Immigration from Mexico to the USA: all people who come from Mexico and do not yet have a health pass must first go to the sanitary control waiting room. Hundreds of people are waiting here every day - on some days their number is in the thousands - for medical check-ups. Those who come to the USA for a short visit as tourists are quickly cleared, while seasonal workers and immigrants, on the other hand, often have to spend a whole day here and subject themselves to strict tests. Numerous children are vaccinated, El Paso, Texas
Immigration from Mexico to the USA: all people who come from Mexico and do not yet have a health pass must first go to the sanitary control waiting room. Hundreds of people are waiting here every day - on some days their number is in the thousands - for medical check-ups. Those who come to the USA for a short visit as tourists are quickly cleared, while seasonal workers and immigrants, on the other hand, often have to spend a whole day here and subject themselves to strict tests. Numerous children are vaccinated, El Paso, Texas
Paul Almásy
1961
Arabian Illustration
Arabian Illustration
Boris Artzybasheff
circa 1930
7. Hay un guiso nacional,/ A quien puso no se quién,/ El feo nombre de “tamal”./ Y mire usted que vaiven:/ Cuande el tamal no está bien,/ Resulta que no es tamal,/ Y en cambio, cuando está bien,/ Es justo cuando es tamal./ Y si el tamal no está bien./ El que lo come está mal…/ ¿Quién entiende este belén/ De ese guiso nacional?
7. Hay un guiso nacional,/ A quien puso no se quién,/ El feo nombre de “tamal”./ Y mire usted que vaiven:/ Cuande el tamal no está bien,/ Resulta que no es tamal,/ Y en cambio, cuando está bien,/ Es justo cuando es tamal./ Y si el tamal no está bien./ El que lo come está mal…/ ¿Quién entiende este belén/ De ese guiso nacional?
José Guadalupe Posada
1947
untitled, illustrations of common items (see notes) [Ellis 48(3)]
untitled, illustrations of common items (see notes) [Ellis 48(3)]
Fred Ellis
20th c.