Skip to main content Collections MenuJosef Albers Advanced Search Close Refine ResultsArtist / MakerJosef Albers (81) Classification(s)Print (77) Painting (2) Portfolio (2) CollectionsPaintings (2) Prints (1) Date toDepartmentPermanent Collection (81) Image AvailableSort:Title (A–Z)Title (Z–A)Date (Older First)Object number (Ascending)Primary Maker (A-Z)Last Updated (Ascending)ListImagesTable Filters View PDF81 results Folder 9Josef Albers1972Folder 17Josef Albers1972Folder 17 Josef Albers1972Formulation: Articulation, Portfolio I, [A clear demonstration of “top-heaviness”] Folder 22Josef Albers1972Formulation: Articulation, Portfolio I, [ A development through 6 years (1936, 1941, 1942)] Folder 13Josef Albers1972Formulation: Articulation, Portfolio I, [Analyze contrast and affinity within one color trio] Folder 24Josef Albers1972Formulation: Articulation, Portfolio I, Folder 1 (from: Steps, 1931)Josef Albers1972Formulation: Articulation, Portfolio I, Folder 2 (from: Concerning In the Water)Josef Albers1972Formulation: Articulation, Portfolio I, Folder 3; linear constructions “bands” and “posts”Josef Albers1972Formulation: Articulation, Portfolio I, Folder 4; From: a glass painting of 1932 - a trio of 3 shapes derived from the letter KJosef Albers1972Formulation: Articulation, Portfolio I, Folder 5 (Two versions of “Homage to the Square” a quartet of four voices)Josef Albers1972Formulation: Articulation, Portfolio I, Folder 6 From an early glass picture 0 4 [upright rectangular backgrounds]Josef Albers1972Formulation: Articulation, Portfolio I, Folder 8 (The Fugue, 1925)Josef Albers1972Formulation: Articulation, Portfolio I, Folder 9 (Vice Versa, 1943, Biconjugate series)Josef Albers1972Formulation: Articulation, Portfolio I, Folder 10 (Vice Versa, 1943, Biconjugate series)Josef Albers1972Formulation: Articulation, Portfolio I, Folder 11 (Two Variations)Josef Albers1972Formulation: Articulation, Portfolio I, Folder 12 (Two “Pianissimo” Constructions)Josef Albers1972Formulation: Articulation, Portfolio I, Folder 14 (Central Figure, 1942)Josef Albers1972Formulation: Articulation, Portfolio I, Folder 15 (Homage to the Square)Josef Albers1972Formulation: Articulation, Portfolio I, Folder 16 (G-clef, 1931)Josef Albers1972Formulation: Articulation, Portfolio I, Folder 18 (left: The Impossibles; right: Rolled Wrongly)Josef Albers1972Formulation: Articulation, Portfolio I, Folder 19 (Homage to the Square)Josef Albers1972Formulation: Articulation, Portfolio I, Folder 20 (Homage to the Square)Josef Albers1972Formulation: Articulation, Portfolio I, Folder 21 (left: Skyscrapers, 1926; right: Windows, 1929)Josef Albers1972Next Page Powered by eMuseum
![Formulation: Articulation, Portfolio I, [A clear demonstration of “top-heaviness”] Folder 22](/internal/media/dispatcher/17643/thumbnail)
![Formulation: Articulation, Portfolio I, [ A development through 6 years (1936, 1941, 1942)] Folder 13](/internal/media/dispatcher/17634/thumbnail)
![Formulation: Articulation, Portfolio I, [Analyze contrast and affinity within one color trio] Folder 24](/internal/media/dispatcher/17645/thumbnail)
![Formulation: Articulation, Portfolio I, Folder 6 From an early glass picture 0 4 [upright rectangular backgrounds]](/internal/media/dispatcher/17627/thumbnail)
